Annabel's House of Books

Noli domo egredi, nisi librum habes – Never leave home without a book.

Category: Authors P (page 1 of 8)

Books Are My Bag

I thought it was time that I updated my photo – as it’s from the very first Books Are My Bag event at my local indie bookshop Mostly Books. I’m busy tomorrow during the official BAMB day, so I popped into the shop today and bought one of the new Grayson Perry BAMB bags. Tracy Emin’s last yr, just featured a handwritten list of the authors that have influenced her – Grayson’s is rather different. Here I am modelling the more straight-forward side:

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P1020890 (640x480)However, you’ll see on the bottom right hand corner of the bag are some digits and pictograms. A crown, a W and an anchor and the year. Royal W-anchor (sic) I think! Glad it’s in code.

Then turn the bag over…

P1020889 (600x800) … and we have the kind of drawing we’d expect on one of his pots, but with lots of books in, and the reclining nude has a fountain pen for a willy.

This is a bag to be careful with, hang it over your shoulder the wrong way around… I may not be using this one out so much!

Are you doing anything to celebrate Books Are My Bag this weekend?

Shiny Linkiness

SNB logo tinyI’m back to school today, so scheduled this one in advance. A post of Shiny linkness to my fiction reviews in the recent Extra Shiny issue of Shiny New Books.

Do head over to see the full reviews, and feel free to comment here or there. Thank you.

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The Watchmaker of Filigree Street by Natasha Pulley


A multi-layered tale of a humble telegraphist,  a bluestocking scientist and a Japanese watchmaker, set in Victorian London under siege from the Fenians. Despite its vestiges of Victorian steampunk fantasy, at its heart The Watchmaker of Filigree Street is a thriller, a remarkably effective one that draws you into its world from the beginning.

It’s hard to believe that this novel is a debut. It is so polished that you will genuinely believe that a clockwork octopus is alive too.   (9/10)

Click here to read the full review.

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The Last Pilot by Benjamin Johncock

Last-Pilot-cover-RGB-667x1024Behind every test pilot or astronaut is everyone they leave behind each time they set off.  Set during the beginning years of the space race in the 1960s, this amazing debut novel tells of one such human story, that of a fictional family set amongst the real life test pilots and astronauts, and their story blends seamlessly into that of history.

This book moved and excited me in equal measure, and will definitely feature around the top of my year end best of list. (10/10)

Click here to read the full review.

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All Sorts of Possible by Rupert Wallis

all sort of possibleThis YA novel begins with a sinkhole – Daniel survives falling into the sinkhole, but falls further ending up at the bottom with no way out except to follow the water. He scratches the word ‘Help’ onto a cave wall. ‘Please,’ he says – and finds the way out. He is the miracle boy – the one who survived. His father though, is in an induced coma, he may not recover.

Daniel discovers that his ordeal has given him a psychic energy that when another receptive person seeks him out and helps focus it.  Surely it could be used for good, but when gangster Mason gets his hands on Daniel, things get rather nasty…

A different kind of paranormal teen novel, I enjoyed this blend of psychics and sinkholes!  (8/10)

Click here to read the full review.

From one dystopia to another …

The Ship by Antonia Honeywell

The shipI’m on a watery/eco-thriller/dystopian reading binge at the moment, set off by picking up this novel – I couldn’t resist the colourful cover with its silhouette of a broken London landscape and a nod to the film Titanic.

It’s the near-future; the world as we know it is broken. Five hundred specially selected people escape the hell of the dystopian society left on land to live on ‘The Ship’ and the alternative nightmare of being on an everlasting cruise.

Apart from having poor sea-legs, the idea of living aboard one of those huge cruise-liners fills me with utter dread – yet people already do! However, you can get off for an excursion … this isn’t the case for The Ship‘s 500.

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‘The World’ moored at Fowey, Cornwall, summer 2010. Gorgeous tiny town with a deep-water harbour that can fit this behemoth!

The story is narrated by Lalage ‘Lalla’ Paul*, who is just turning sixteen. She lives in an apartment in London with her mother and father, although he is often not there. They live entirely within the law of the military government, obeying all the rules imposed on them, but they manage to continue to live well by the standards of others. Lalla’s life is sheltered, totally unlike those of the tent-dwellers in Regent’s Park, or the gangs in the underground. Being outside in London is a dangerous place, the nearby British Museum – whose treasures are a shadow of their former glories, is their only cultural retreat. Lalla tells us about the beginning:

I was seven when the collapse hit Britain. Banks crashed, the power failed, flood defences gave way, and my father paced the flat, strangely elated in the face of my mother’s fear. I was right, he said, over and over again. Wasn’t I right? Weren’t we lucky that we owed nothing to anyone? That we relied on no one beyond our little trio? That we had stores, and bottled water? Oh, the government would regret not listening to him now. … and for months we did not leave the flat.

Lalla’s father, Michael, has been planning his big escape ever since. He bought a cruise-ship, he’s been stocking it with everything needed for at least a generation’s life aboard. He’s been recruiting 500 deserving people with essential skills to take with him and they are waiting in the Holding Centre for the word from him that they’re ready to depart. But’s what’s stopping them from going today? It’s Lalla’s mother who is not sure. When Michael comes home for Lalla’s birthday celebration, he and her mother bicker:

‘How much worse do you want things to get?’
‘If you loved me, you’d stop pushing.’
‘If you loved me, we’ve have gone already.’
‘I love you Michael. I just don’t think you’re right.’
I stood in the doorway, forgetting I wasn’t meant to be listening. … ‘I want to go,’ I said. ‘If the ship is real, I want to go on it.’

They bat Lalla back and forth between them in their argument, but the decision is made when, as her mother moves in front of the window, a sniper shoots her. The ship has a doctor and surgery – it’s time to go.

Poor Lalla, her mother will not survive and she begins her life onboard in a state of profound grief, while her father has 500 disciples to lead. Will Lalla be able to overcome her depression at the death of her mother, will she be able to assimilate into life on the ship, make friends, have a useful life, and, dare I say it – help make the next generation?

The Ship is really a two-hander – an on-going battle between Lalla and Michael. All the other characters, even Tom, a young man Lalla is attracted to, are just props and aren’t really developed more than peripherally. Lalla, however, is irritating, selfish and angry, yet loveable, in the way that only teenagers can be and, although Michael is nominally benevolent and peace-loving, we somehow have to suspect his motives. With Lalla as our narrator, we gain no real sense of his long-term plans.

The biblical imagery abounds – apart from the myriad of obvious references to the book of Genesis – you can pick any prophet and see Michael in him. There are are some neat parallels in the military government enacting the Nazareth Act for instance, and could the 500 have been 5000 to feed? I may be a non-believer, but do love a good bible-story, so I enjoyed spotting all these. The questions remain: Is Lalla the new Eve? Will life ever be bearable for her on board this ark?

The Ship was a hugely enjoyable novel, a scarily prescient vision of the kind of future we could have if it all goes wrong. After the riots of a couple of years ago, somehow, I can imagine Oxford Street burning for three weeks as happens here. The combination of coming of age story with a dystopia and this fascinating setting was a winner for me. Highly recommended. (8.5/10)

* I also couldn’t help wondering, especially as I’ve recently read The Bees (review here), if Lalla was named for The Bees author Laline Paull? She does contribute a cover quote…  (P.S. Antonia told me via twitter that ‘Lalla is named for the baby at end of The French Lieutenant’s Woman and St Paul, rescued from the waves’).

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Source: Own copy. To explore further on Amazon, please click below (affiliate link):
The Shipby Antonia Honeywell, pub W&N, Feb 2015. Hardback, 320 pages.

"What's the buzz, tell me what's happening?"

The Bees by Laline Paull

beesWriting a novel with animals as your characters is a daring thing. You have to tread a fine line between anthropomorphism and the nature of the beast. If the creatures are to communicate, the author will have to put words in their mouths; if you’re not going to dress them up and humanise them like Toad, Ratty and friends in The Wind in the Willows, then much attention needs to be paid to their society as well as the practical details of their habitat. There are myriads of novels about cats and dogs, that famous one about rabbits and I loved the moles of Duncton Wood back in the 1980s – but bees?

Much of literature seen through animal’s eyes is about the triumph of the underdog, and in that respect The Bees is no different. Paull’s heroine, the sanitation worker bee Flora 717 has to start her way at the bottom of the hive, both literally and metaphorically. What does distinguish The Bees from other novels is the complex society of the hive which, in Paull’s hands, becomes a totalitarian state with a scheming Praesidium increasingly managing an ageing leader in their Queen.  Yes it’s a dystopian political thriller.

I liked the scene-setting of the Prologue a lot – a lone bee-hive in an old orchard that is likely to be sold off to developers.  Then with chapter one, we are straight into the bustle of the hive and Flora’s emergence from her waxy cell.  I’ll admit it took me a good few chapters to get into the world of the bees, but at around 75 pages in when Flora is introduced to the stories in the bees’ equivalent of the bible – the sensory mosaics in the Library – it had clicked with me and I could enjoy the intrigue of the tale and cross my fingers that Flora would survive.

Although I have never explored the natural history of bees myself, (I hear that Dave Goulson’s book A Sting in the Tale about bumblebees is wonderful), it is obvious that Laline Paull has researched her subjects thoroughly. From the dances of the workers to show where pollen and nectar is to be found to how the bees excrete wax to all the different roles within the hive it all appears totally authentic.

There are also moments of humour – chiefly relating to the drones.  They are the celebrities of the hive, resembling chivalric knights who will have to joust for the honour of mating a Queen.  They are waited on hand upon foot (leg on leg?) by ardent groupies, given the best food so that the honour of the hive will be preserved when they are called upon to show their mettle. Ironically, it is not their job to protect the hive from the incursion of vermin or to defend it against the ‘Myriad’ as the wasps are known. Flora develops a close friendship with one of the drones, Sir Linden, and  while this seems unlikely to happen in real bee life, does add a spark of romance.

Once gripped, this novel didn’t let go and apart from the conspiracy and hive-politics it was the otherness in Paull’s world-building that made it so compulsive to read. So much so that I was slightly relieved when it ended (but wholly in a good way). (8/10)

The Bees was the first book to be chosen for the Shiny Book Club and our discussion opens today (May 14th). If you’d like to join in, get yourself over there and leave a comment or link to your own review if you have one. I’ll be over there shortly.

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Source: Own copy. To explore further on Amazon UK, please click below (Affiliate link):

The Beesby Laline Paull, (2014). 4th Estate paperback, 352 pages.

A Sting in the Tale by Dave Goulson, (2013), Vintage paperback 288 pages.

If you correctly surmised that my post title is a quote from Jesus Christ Superstar, here is Ted Neely and co from the 1973 movie of the musical. Enjoy!

A Dance to the Music of Time 4: At Lady Molly's

Dancing Powell

At Lady Molly’s by Anthony Powell

Dance 4 Lady MollysWe reach Summer with volume four of Powell’s sequence following the life of Nick Jenkins and his contemporaries.The initial three Spring novels were about growing up and establishing oneself in the world and in The Acceptance World took a rather serious turn. That done, there’s time for a breather. Summer is going to be about consolidation and much more fun; for Jenkins et al that will mean thoughts of marriage!

It starts with Jenkins remembering an episode from his childhood when he encountered Mildred Blaides at the home of General and her much older sister Mrs Conyers. in 1916 Blaides, working as an indifferent volunteer nurse is emancipated and an independent spirit, smokes ‘gaspers’, wears ‘glad rags’ and ‘beetles’ about.  This start made a change from the previous three novels which all started with Jenkins reflecting on a work of art – but I needn’t have worried for on page 10 back in 1934, Jenkins recalls Constable’s painting of Dogdene, the home of the Sleafords, which became an officers hospital during WWI.

In 1934, Jenkins has moved on from the art publishing firm and is now a scriptwriter at film studios to the west of London. It is his colleague Chips Lovell who takes him to his Aunt Molly’s (an Ardglass and sister to Lady Warminster who is stepmother to the Tolland girls, she married into the Sleafords, and is now married to Captain Teddy Jeavons – got that?). They have an open house in the evenings, (but it is a much higher class affair than the wilder nights at Mrs Andriadis’ in the second book). It is here that he finds out who the potential second husband of Mildred is:

I myself was curious to see what Mildred Blaides – or rather Mildred Haycock – might look like after all these years, half expecting her to be wearing her V.A.D. outfit and smoking a cigarette. But when my eyes fell on the two of them, it was the man, not the woman, who held my attention. Life is full of internal dramas, instantaneous and sensational, played to an audience of one. This was just such a performance. The fiancé was Widmerpool. Scarlet in the face, grinning agitatedly through the thick lenses of his spectacles, he advanced into the room, his hand on Mrs. Haycock’s arm. … There was something a little frightening about him. That could not be denied. …

‘Well, he is no beauty,’ said Mrs. Conyers.

Oh dear!  It’s obvious that this relationship will be doomed from the outset, yet you have to credit Widmerpool for being so dogged in his pursuit of social standing – but to choose an older woman who is so used to getting her own way seems ridiculous. The vision of Mildred the cougar and Widmerpool the toy boy is hilarious. Mildred is a demanding fiancée and ere long Widmerpool is struck down by jaundice, leaving her to carry on regardless. Nick finds himself questioned on all sides about Widmerpool’s parentage, and then by Widmerpool himself for some advice in the bedroom department!

Inbetween, all the usual intrigue and wife-swapping goes on between Nick’s friends and acquaintances. It’s hard to keep up with them all and the families seem to be so inter-related just beyond the level that would be incest! Eventually, Nick meets Isobel Tolland and he instantly knows that she is the one.

This volume is a real comedy of manners. Widmerpool, as usual, is the target or cause of most of the happenings, but as always, he soldiers on. All the jolliness has to be played against the rise of Hitler and Fascism which is always in the background now. It will be interesting to see how WWII affects this set in subsequent volumes.  However, back to the comedy: one new character is introduced in this book who is hilarious – Smith, the butler. He buttles for Lord Warminster (brother-in-law of Lady Molly’s sister), known as Erridge or Erry. He is rude, lazy and working his way through the wine cellar – but Lady Molly borrows him from time to time. Uncle Giles only gets a mention this time, but Nick has ready-made Giles substitutes in Teddy Jeavons and General Conyers.

I really enjoyed At Lady Molly’s and am thoroughly immersed in my monthly doses of Jenkins’ world – Casanova’s Chinese Restaurant next… (9/10)

My reviews of the previous volumes:
1 – A Question of Upbringing
2 – A Buyer’s Market
3 – The Acceptance World

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Source: Own Copy. To explore further on Amazon UK, please click below (affiliate link):
At Lady Molly’s (Dance to the Music of Time) by Anthony Powell (1957) Arrow pbk, 256 pages.

A Dance to the Music of Time 3: The Acceptance World

Dancing Powell

The Acceptance World

Dance 3 Acceptance World
We come to the third volume in Anthony Powell’s series – the last of the ‘Spring’ books. (If you’d like to catch up with volumes one and two, click accordingly.)

The Acceptance World begins with Nick Jenkins meeting his Uncle Giles at a hotel for tea. There he is introduced to Mrs Erdleigh who tells their fortunes, saying to Nick that she’ll meet him again in a year – strange company for his Uncle Giles!

At work, Jenkins is publishing a book on a noted painter of political portraits and businessmen and has approached St.John Clarke (apparently based upon John Galsworthy) to write the introduction. One of his old college contemporaries had been Clarke’s secretary, but Jenkins finds he has been replaced by on Quiggin – who has, it appears, steered Clarke in a different political direction.  Jenkins discusses Clarke’s situation being under the thumb of his new secretary with his friend Barnby:

‘I don’t think St.John Clark is interested in either sex,’ said Barnby. ‘He fell in love with himself at first sight and it is a passion to which he has always remained faithful.’

Some time later, Jenkins meets his old school-friend Peter Templer again and is invited to join them for a weekend.

That we had ceased to meet fairly regularly was due no doubt to some extent to Templer’s chronic inability – as our housemaster Le Bas would have said – to ‘keep up’ a friendship. He moved entirely within the orbit of events of the moment, looking neither forward nor backward. If we happened to run across each other, we arranged to do something together; not otherwise.

The particular excitement of this reuniting for Jenkins is that he finds out that Jean, Peter’s sister, appears to be separated from her husband DuPort. Jenkins had had a youthful passion for Jean, and this is reignited and they rekindle their affair.  In between all this there is a lot of complicated discussion about who’s seeing whom, who’s divorced whom and such shenanigans!

Jenkins is reunited with his old schoolfriends at his old housemaster’s dinner for old boys at the Ritz. Stringham is drunk and Widmerpool makes a very long and involved and very boring speech – during which Le Bas has a stroke! I shouldn’t cheer at other people’s misfortunes, but it was a great penultimate scene to bring Widmerpool back into play. He had been mentioned earlier, but hadn’t appeared until then.  It is Widmerpool who is moving from industry into the city and joining the ‘Acceptance World’.  I can hear you asking what that is – here is how Templer describes it to Nick:

‘If you have goods you want to sell to a firm in Bolivia, you probably do not touch your money in the ordinary way until the stuff arrives there. Certain houses, therefore, are prepared to ‘accept’ the debt. They will advance you the money on the strength of your reputation. It is all right when the going is good, but sooner or later you are tempted to plunge. Then there is an alteration in the value of the Bolivian exchange, or a revolution, or perhaps the firm just goes bust – and you find yourself stung. That is, if you guess wrong.’

Any clearer?  I assume they refer to the futures and/or bond markets…

There are other forms of acceptance at work in this novel too. Nick, who does have to work for a living, is becoming accepted in all the walks of society in which he moves. He seems more mature than most of his friends, and while not immune to love affairs, is not the type to swap partners that way most of the others seem to do with monotonous regularity.  For his capricious upper class  friends, marriage and divorce don’t seem to mean a lot.  Nick, as Widmerpool has too, has resisted marriage – how long can they last as bachelors?  What will happen to Peter and Jean?

Widmerpool’s appearance aside, volume three was a lot more serious than the first two, and I missed the comedy he brings with him. I know I have a Widmerpool-fest to come in the next novel – the first of the ‘Summer’ books.  I’m looking forward to April’s Powell episode. (7.5/10)

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Source: Own Copy.
To explore further on Amazon UK (affiliate link), please click below:
The Acceptance World: Vol 3 (Dance to the Music of Time 03) by Anthony Powell (1955), approx 224 pages.

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